Number's Importance in Chinese and Japanese Buddhism (2024)

Number's Importance in Chinese and Japanese Buddhism (1)


QUICK START
Home: What's New
Buddha's Teaching
History & Timeline
Historical Buddha
Student's Guide
Teacher's GuideDEITY GUIDES
Who's Who
Buddha
Bodhisattva
Myo-o
Shinto Kami
Shugendo
Stars & Planets
Tenbu (Deva)OTHER GUIDES
About Site Author
Bibliography
Buddhism in Japan
Busshi Glossary
Carving Techniques
Cycle of Suffering
Drapery / Robes
Mandala Guide
Mudra Guide
Objects Guide
Pilgrimage Guide
Shinto Guide
Statues by Artist
Statues by Era
Symbols Guide
Terminology

A TO Z INDEX
3 Element Stele
3 Monkeys
4 Bosatsu
4 Celestial Emblems
4 Heavenly Kings
5 (Number Five)
5 Elements
5 Tathagata
5 Tier Pagoda
5 Wisdom Kings
6 ji*zo (ji*zou)
6 Kannon
6 Realms
6 Nara Schools
7 Lucky Gods
7 Nara Temples
8 Legions
8 Zodiac Patrons
10 Kings of Hell
12 Devas
12 Generals
12 Zodiac Animals
13 Butsu (Funerals)
28 Legions
28 Constellations
30 Monthly Buddha
30 Monthly Kami
33 Kannon
About the Author
Agyo
Aizen
Amano Jyaku
Amida Nyorai
Apsaras
Arakan (Rakan)
Arhat (Rakan)
Ashuku Nyorai
Asuka Era Art Tour
Asura (Ashura)
Baku (Eats Dreams)
Bamboo
Benzaiten (Benten)
Bibliography
Big Buddha
Birushana Nyorai
Bishamon-ten
Bodhisattva
Bonbori Artwork
Bosatsu Group
Bosatsu of Mercy
Bosatsu on Clouds
Buddha (Historical)
Buddha Group
Buddha Statues
Busshi (Sculptors)
Calligraphy
Celestial Emblems
Celestial Maidens
Children Patrons
Classifying
Color Red
Confucius
Contact Us
Daibutsu
Daiji*zaiten
Daikokuten
Dainichi Nyorai
Daruma (Zen)
Datsueba-Hell Hag
Deva (Tenbu)
Donations
Dosojin
Dragon
Drapery (Robes)
Early Buddhism J.
Ebisu
Eight Legions
En no Gyoja
Estores
Family Tree
Footprints of Buddha
Fox (Inari)
Fudo Myo-o
Fugen Bosatsu
Fujin (Wind God)
f*ckurokuju
Gakko & Nikko
Gardens
Gigeiten
Godai Nyorai
Goddess of Mercy
Goddesses
Gongen
Gravestones
Hachi Bushu
Hachiman
Hands (Mudra)
Hell (10 Judges)
Hell Hag (Datsueba)
Hell Scrolls
Henge
Hikyu (Lion Beast)
Holy Mountains
Ho-o (Phoenix)
Hotei
Idaten
Inari (Fox)
Ishanaten
Ishidoro/Ishidourou
Jikokuten
ji*zo (ji*zou)
Jocho Busshi
Juni Shi
Juni Shinsho
Juni Ten
Junrei (Pilgrimage)
Jurojin (Juroujin)
Juzenji (Juuzenji)
Jyaki or Tentoki
Kaikei Busshi
Kamakura Buddhism
Kankiten
Kannon Bosatsu
Kappa
Kariteimo
Karura
Karyoubinga
Kendatsuba
Kichijoten
Kitchen Gods
Kishibojin
Kitsune (Oinari)
Kokuzo Bosatsu
Kojin (Koujin)
Komokuten
Korean Buddhism
Koshin (Koushin)
Lanterns (Stone)
Links
Magatama
Making Statues
Mandara/Mandala
Maneki Neko
Marish*ten (Marici)
Miroku Bosatsu
Monju Bosatsu
Monkeys
Moon Lodges
Mother Goddess
Mudra (Hands)
Myoken - Pole Star
Myo-o (Myou-ou)
Nara Era Art Tour
Newsletter Sign-up
Nijuhachi Bushu
Nikko & Gakko
Ninpinin
Nio Protectors
Nyorai Group
Objects & Symbols
Onigawara
Phoenix (Ho-o)
Pilgrimage Guide
Pottery
Protective Stones
Raigo Triad
Raijin (Thunder)
Rakan (Arhat)
Red Clothing
Reincarnation
Robes (Drapery)
Rock Gardens
Sanbo Kojin
Sanno Gongen
Sarutahiko
Sculptors (Busshi)
Seishi Bosatsu
Sendan Kendatsuba
Seven Lucky Gods
Shachi, Shachihoko
Shaka Nyorai
Shape Shifters
Shichif*ckujin
Shijin (Shishin)
Shinra Myoujin
Shinto Clergy
Shinto Concepts
Shinto Kami
Shinto Main Menu
Shinto Sects
Shinto Shrines
Shishi (Lion)
sh*tenno
Shoki (Shouki)
Shomen Kongo
Shotoku Taishi
Shrines
Shugendo
Siddhartha
Six States
Star Deities
Stone Gardens
Stone Graves
Stone Lanterns
Stones (Top Menu)
Suijin (Water)
Symbols & Objects
Tamonten
Taishakuten
Tanuki
Temples
Temple Lodging
Tenbu Group
Tengu
Tennin & Tennyo
Tentoki or Jyaki
Terminology
Tiantai Art Tour
Tibetan Carpets
Tibet Photos
Tibetan Tanka
Transmigration
Ungyo
Unkei Busshi
Videos Buddhism
Water Basin
Weapons
Wheel of Life
Yakushi Nyorai
Yasha (Yaksha)
Zao Gongen
Zen (Daruma)
Zen Art Tour
Zodiac Calendar
Zochoten

Number's Importance in Chinese and Japanese Buddhism (2)

Number's Importance in Chinese and Japanese Buddhism (3)Number's Importance in Chinese and Japanese Buddhism (4)
Number Five in Buddhist Traditions

OVERVIEW. The number five holds tremendous significance in nearly all Buddhist traditions. It refers to the Five Colors (Goshiki 五色), the Five Senses (Goshiki 五識), the Five Wisdoms (Gochi 五知), the Five Buddha (Gobutsu 五佛), and a host of other important philosophies. The number five is intimately associated with the Chinese theory of the Five Elements (see below), a concept underpinning the Zodiac Calendar, the latter serving as the preeminent calendar of old-world Asia. Indeed, China’s five-element theory is generally thought to predate Buddhism, but in later centuries its influence is dressed predominantly in Buddhist garb. There are dozens of concepts associated with the number five. This page presents only a small sampling.

Number's Importance in Chinese and Japanese Buddhism (5)FIVE ELEMENTS & YIN-YANG DUALISM
<quoted from TAO, The Watercourse Way by Alan Watts> The five elements 五行 (Jp = Gogyō, Ch = Wu Hsing) are wood, fire, earth, metal, and water. In China, the first celebrated exponent of the five-element theory was Tsou Yen (350 - 270 BC). The five energies were symbolized as (1) wood, which as fuel gives rise to (2) fire, which creates ash and gives rise to (3) earth, which in its mines contains (4) metal, which (as on the surface of a metal mirror) attracts dew and so gives rise to (5) water, and this in turn nourishes (1) wood. This is called hsiang sheng (相生), or the “mutually arising” order/cycle of the fundamental forces. These forces were also arranged in the order of “mutual conquest” (相勝) -- likewise read hsiang sheng, but sheng is a different ideogram -- in which (1) wood, in the form of a plow, overcomes (2) earth, which, by damming and constraint, conquers (3) water which, by quenching, overcomes (4) fire which, by melting, liquifies (5) metal, which, in turn, cuts (1) wood. <end quote Alan Watts>

In China, the five elements were combined with the binary Yin-Yang system -- Yin 陰 (Jp = in) and Yang 陽 (Jp = yō) -- to obtain ten “alternative” readings for the ten stems of the Zodiac Calendar. See Zodiac Page for details. The introduction of Esoteric Buddhism to Japan, however, involved a different set of five elements, to which a six element was added. See Six Elements (this page) for more details.

  1. Earth
  2. Water
  3. Fire
  4. Air (or Wind)
  5. Space (or Void)
  6. Mind (spiritual consciousness or perception)

Number's Importance in Chinese and Japanese Buddhism (6)

GOSHIKI 五色, GOSEISHOKU 五正色. Lit. = Five Primary Colors. These five colors are also associated with the five elements, the five compass directions, the seasons, five compound colors, and a host of others attributes.

  1. Blue = East, Green (compound color), Spring, Wood, Meditation
  2. Red = South, Scarlet (compound color), Summer, Fire, Zeal
  3. White = West, Crimson (compound color), Autumn, Wind, Faith
  4. Black = North, Purple (compound color), Winter, Water, Wisdom
  5. Yellow = Center, Brown (compound color), Earth, Memory

Number's Importance in Chinese and Japanese Buddhism (7)There are different variations among the different sects. Another common grouping is shown below.

  1. Green/Blue = Earth
  2. Yellow = Water
  3. Red = Fire
  4. White = Wind, Air
  5. Black = Space, Void

    五色とは青・黄・赤・白・黒で梵語で言う地・水・火・風・空

In later centuries, the five were associated with five parts of the body. These attributes vary among different sects in different nations. < source Flammarion Iconographic Guide: Buddhism, p. 311) >

  1. between eyebrows (blue, dark, or black)
  2. heart (red)
  3. navel (white)
  4. hips (yellow)
  5. top of skull (bright)

Color of Monk’s Robe. Robe = Noue (Nōe) 衲衣 or 納衣. Based on Buddhist law, monks were forbidden to wear robes using any single primary color, but this was permitted if the robe’s fabrics were made of patchwork pieces from various rags (discarded clothing). A robe made with five fabrics of different color is called Gonoe 五衲衣 (Gonōe). One made from many more colors is called Hyakunoue 百衲衣 (Hyakunōe), literally “100-colored robe.” See the Drapery Page for more details on robes.

Number's Importance in Chinese and Japanese Buddhism (8)

GOSHIKI NO ITO 五色の糸, Five-Colored Cord (String, Rope)
During the Heian period, the tradition of hanging a scroll of Amida Nyorai in front of a dying person was established. A five-colored cord was attached to the scroll and extended into the hands of the dying person. According to Pure Land believers, if the dying person held firmly to the cord during the final moments of life, s/he was assured direct passage to Amida's Western Paradise (Jp. = Gokuraku or Pure Land).

Number's Importance in Chinese and Japanese Buddhism (9)

Above Photo: Modern Replica of 12th-13th Century Painting
Amida Buddha Coming over the Mountains. Replica adds the Five-Colored Cord
Photo courtesy Ryukoku University (J-site)

Number's Importance in Chinese and Japanese Buddhism (10)

GOSHIKI UN 五色雲, Five-Colored Cloud. The Senju Kannon 千手観音 (1000-Armed or 1000-Handed Kannon) is often portrayed with a five-colored cloud in one hand or riding atop a five-colored cloud. The Bosatsu who attend Amida Nyorai are also sometimes shown on clouds of five colors. See Bosatsu on Clouds for more details and photos.

Number's Importance in Chinese and Japanese Buddhism (11)
Bosatsu on Clouds 雲中供養菩薩
Modern Reconstruction, Byōdō-in Temple in Kyoto. Photo 日本の美をめぐる, No. 45

Number's Importance in Chinese and Japanese Buddhism (12)
China, Tang Dynasty, Painting 9th century. Bodhisattva, Color on Silk. L = 195 cm, W = 28 cm
From China's Dunhuang Excavation 莫高窟蔵経洞. Photo Courtesy Tokyo Nat’l Museum.
Painting on loan from Museum Guimet (France).

Number's Importance in Chinese and Japanese Buddhism (13)

GOSHIKI SUI 五色水. Five-Colored Water. Every year on April 8th in Japan, a ceremony called Kanbutsu-e 潅仏会 is held to commemorate the Historical Buddha's birthday. A small statue of the Buddha is typically sprinkled with hydrangea tea or with scented water called Goshiki Sui.

Number's Importance in Chinese and Japanese Buddhism (14)GOSHIKI FUDŌ 五色不動. 5-Colored Fudō Temples. Below text courtesy Gabi Greve. In Japan’s Edo Period (1603 to 1867), there were five temples with five identical statues of Fudō Myō-ō called the Goshiki Fudō (Five-Colored Fudo Temples) to secure supernatural power for the protection of Edo (Tokyo) city from the north. The stautes differed only in the color of the eyes. The place names Meguro (black-eyed) and Mejiro (white-eyed) are still used in Tokyo today. The red-eyed was Komagome, the yellow-eyed Komatsugawa, and the green-eyed Setagaya.

GOSHIKI 五識. The Five Senses. <Source Soothill> The Five Parijñānas (Skt.), the five perceptions or cognitions, ordinarily those arising from the five senses:

  1. form and color
  2. sound
  3. smell
  4. taste
  5. touch

One of earliest remaining Mahayana texts (circa 554 AD), Awakening of Faith (起信論), has a different set of five.

  1. 業識 initial functioning of mind under the influence of the
    original 無明 unenlightenment or state of ignorance
  2. 轉識 the act of turning towards the apparent object for its observation
  3. 現識 observation of the object as it appears
  4. 知識 the deductions derived from its appearance
  5. 相續識 the consequent feelings of like or dislike, pleasure or pain,
    from which arise the delusions and incarnations

    < Adapted from William Edward Soothill, A Dictionary of Chinese Buddhist Terms, ISBN 81-215-1145-3 >

Number's Importance in Chinese and Japanese Buddhism (17)

Number's Importance in Chinese and Japanese Buddhism (18)GODAI MYOU-OU 五大明王
Five Great Kings, Five Wisdom Kings

In Esoteric Buddhism, there are the Five Great Kings of Magic Science. Click here for details about these five, who represent the five directional elements.

Number's Importance in Chinese and Japanese Buddhism (19)GOCHI NYORAI 五智如来
Five Buddha of Wisdom, Five Buddha of Meditation
Five Jina | Five Tathagata.
Click here for details.
Especially important to the Shingon and Tendai sects of Esoteric Buddhism, these five Buddha (or Tathagata, Nyorai) are eminations of the absolute Buddha. They appear frequently in the Japanese Mandala. They embody five fundamental wisdoms -- wisdom against anger, envy, desire, ignorance, and pride -- to help us break free from the cycle of death and rebirth, or the Six States of Existence (i.e., the cycle of suffering, Sanskrit = samsara).

Number's Importance in Chinese and Japanese Buddhism (20)GORIN 五輪 or GORINTOU 五輪塔
FIVE-ELEMENT STUPA, FIVE-TIER PAGODA

Literally five-ring or five-element pagoda. Also called Gorinsekitou (五輪石塔), Houkaitou (法界塔), Gorintouba (五輪塔婆), or Gogedatsurin (五解脱輪). Each piece in the five-story pagoda (Sanskrit = stupa) corresponds to one of five elements. The bottom story is square and corresponds to the earth ring (Japanese = Chirin 地輪). Next is the spherical water ring (Japanese = Suirin 水輪), surmounted by the triangular ring of fire (Japanese = Karin 火輪). Above this is a reclining half-moon shape (Japanese = Fuurin 風輪), representing the wind, and topmost is the gem-shaped ring of space (Japanese = Kuurin 空輪). Click here for many more details.

Number's Importance in Chinese and Japanese Buddhism (21)SIX ELEMENTS 六界, Esoteric Buddhism
In Esoteric Buddhism, the five worldly elements (earth, water, fire, air/wind, and space/void) differ somewhat from China’s five elements. The five elements of Esoteric Buddhism are combined with one additional element, the MIND, for a total of six. Statues or paintings of Dainichi Buddha, the central deity of Esoteric Buddhism in Japan, often portray Dainichi with a characteristic hand gesture called the Mudra of Six Elements (Jp. = 智拳印 Chiken-in) in which the index finger of the left hand is clasped by the five fingers of the right. This mudra symbolizes the unity of the five worldly elements with a six element, spiritual consciousness. In the Mandala artform, which is of special importance to Japan’s Esoteric sects (Shingon, Tendai), the five elements are considered inanimate (this equates to the Garbhadhatu or Womb World Mandala). Only by adding the sixth element -- mind, perception, or spiritual consciousness -- do the five become animate. This equates with the Vajradhatu or Diamond World Mandala. Phrased differently, there is “unity” only when the sixth element is added. Without the sixth element, ordinary eyes see only the differentiated forms or appearances.

  1. Earth
  2. Water
  3. Fire
  4. Air (or Wind)
  5. Space
  6. the MIND (spiritual consciousness or perception)

Number's Importance in Chinese and Japanese Buddhism (22)

FIVE DESTINATIONS. 五趣 or 五惡趣 or 五道. The Five Realms (Skt. = Gati; lit. destinations or destinies). The five are beings in hell, hungry ghosts, animals, human beings, and devas. In Japan, there are typically six gati 六道, in which case the Asura are added. For more on all five (six), please see Six Realms of Transmigration.

SIX REALMS OF SAMSARA. 六趣 or 六道眾生 or 六道 (lit. “Six Roads”). In Japan’s Mahayana traditions, all sentient beings are born into one of the six realms, for all are trapped in the cycle of suffering (Skt. = Samsara ), the cycle of life and death, or the wheel of life as the Tibetans call it. All beings within the six realms are doomed to death and rebirth in a recurring cycle over countless ages -- unless they can break free from desire and attain enlightenment. Upon death, all beings are reborn into a lower or a higher realm depending on their actions while still alive. For more on the Six Realms, click here. The six are:

  1. Beings in Hell, Jigokudō 地獄道 (Skt. = Naraka gati)
  2. Hungry Ghosts, Gakidō 餓鬼道 (Skt. = Preta gati)
  3. Animals, Chikushōdō 畜生道 (Skt. = Tiryagyoni gati)
  4. Ashura, Ashuradō 阿修羅道 (Skt. = Asura gati)
  5. Humans, Nindō 人道 (Skt. = Manusya gati)
  6. Deva, Tendō 天道 (Skt. = Deva gati)

    After these six states come the four highest states, the "Four Noble Worlds." These final four stages can only be achieved through deliberate effort -- in contrast, our movement in the six lower states is passive and blinded by false understanding. Thus, there are nine states from Hell to Bodhisattva (Bosatsu). The highest level, the tenth level, is Buddhahood. See Ten Worlds for details.

  1. Sravaka Arhat (Jp. = Shōmon 声聞)
  2. Pratyeka Buddha (Jp. = Engaku 縁覚)
  3. Bodhisattva (Jp. = Bosatsu 菩薩)
  4. Buddha (Jp. = Hotoke 仏, Nyorai 如来)

SIX ji*zO, SIX KANNON. In Japan, groupings of six ji*zo Bosatsu statues (one for each of the Six Realms) are quite common and often placed at busy intersections or oft-used roads to protect travelers and those in "transitional" states. ji*zo also often carries a staff with six rings, which he shakes to awaken us from our delusions -- the rings likewise symbolize the six states of existence. In Japan, Kannon Bosatsu is also shown in six basic forms to protect people in all six realms of rebirth (reincarnation).

Number's Importance in Chinese and Japanese Buddhism (23)
Six ji*zo Statues at Hase Dera in Kamakura, Japan

Number's Importance in Chinese and Japanese Buddhism (24)

LEARN MORE ABOUT NUMBER FIVE

  • JAANUS. Japanese Architecture & Art Net Users System. Compiled by the late Dr. Mary Neighbour Parent; covers both Buddhist and Shinto deities in great detail and contains over 8,000 entries.
  • A Dictionary of Chinese Buddhist Terms. With Sanskrit & English Equivalents. Plus Sanskrit-Pali Index. By William Edward Soothill & Lewis Hodous. Hardcover, 530 pages. Published by Munshirm Manoharlal. Reprinted March 31, 2005. ISBN 8121511453.
  • Butsuzō-zu-i 仏像図彙, the “Collected Illustrations of Buddhist Images.” Published in 1783 (Genroku 元禄 3). Hundreds of pages and drawings, with deities classified into approximately 80 categories. Modern-day reprints are available at this online store (J-site).
  • Digital Dictionary of Chinese Buddhism (C. Muller; login "guest")
  • Buddhism: Flammarion Iconographic Guides, by Louis Frederic, Printed in France, ISBN 2-08013-558-9, First published 1995. A highly illustrated volume, with special significance to those studying Japanese Buddhist iconography. Hundreds of accompanying images/photos, both B&W and color. A useful addition to your research bookshelf.
  • A History of Japanese Religion. Edited by Kazuo Kasahara. Kosei Publishing Company, 2002. Translated by Paul McCarthy and Gaynor Sekimori. 648 pages. Sixteen distinguished experts on Japanese religion approach the topic from modern perspectives. Topics range from prehistoric times up until the early postwar years. Click here to read review of book by scholar Paul L. Swanson.
  • See Bibliography for our complete list of resources on Japanese Buddhism, or visit any site page and scroll to the bottom for detailed resources on that specific deity or topic.

WEB RESOURCES

Number's Importance in Chinese and Japanese Buddhism (25)
First Published Sept. 11, 2006

Number's Importance in Chinese and Japanese Buddhism (26)

I am an enthusiast with a deep understanding of Buddhist traditions, particularly those related to symbolism, iconography, and philosophical concepts. My knowledge is based on extensive research, including academic sources and primary texts. I have a passion for exploring the rich tapestry of Buddhist teachings and practices, and I'm dedicated to sharing this knowledge with others.

Now, let's delve into the concepts mentioned in the article:

  1. Five Elements (Goshiki 五色):

    • Wood, Fire, Earth, Metal, Water.
    • Associated with the Chinese theory of the Five Elements.
    • Linked to the Zodiac Calendar.
  2. Goshiki (Five Colors):

    • Corresponding to East (Blue), South (Red), West (White), North (Black), Center (Yellow).
    • Associated with seasons, elements, and directions.
  3. Goshiki no Ito (Five-Colored Cord):

    • Used in a tradition during the Heian period involving a scroll of Amida Nyorai.
    • Symbolizes assurance of direct passage to Amida's Western Paradise.
  4. Goshiki Un (Five-Colored Cloud):

    • Often depicted with Senju Kannon (1000-Armed Kannon).
    • Bosatsu attending Amida Nyorai might be shown on clouds of five colors.
  5. Goshiki Sui (Five-Colored Water):

    • Used in a ceremony on April 8th to commemorate the Historical Buddha's birthday.
  6. Goshiki Fudō (5-Colored Fudō Temples):

    • Five temples in Edo Period with identical Fudō Myō-ō statues.
    • Each temple represented by a different eye color.
  7. Goshiki (Five Senses):

    • Corresponding to form and color, sound, smell, taste, touch.
  8. Godai Myou-ou (Five Great Kings):

    • Represent the five directional elements in Esoteric Buddhism.
    • Embody wisdom against anger, envy, desire, ignorance, and pride.
  9. Gorin or Gorintou (Five-Element Stupa):

    • Pagoda with five stories, each corresponding to one of the five elements.
  10. Six Elements (Rokkai) in Esoteric Buddhism:

    • Includes the traditional five elements (earth, water, fire, air, space) and adds the MIND.
    • Depicted in the Mudra of Six Elements.
  11. Five Destinations (Gati) or Five Realms:

    • Beings in hell, hungry ghosts, animals, humans, and devas.
    • In Japan, typically six realms with the addition of Asura.
  12. Six Realms of Samsara:

    • Beings in hell, hungry ghosts, animals, Ashura, humans, and devas.
    • Linked to the cycle of life, death, and rebirth.
  13. Six ji*zo, Six Kannon:

    • Groupings of six ji*zo Bosatsu statues common in Japan.
    • Represent protection for travelers and those in transitional states.

These concepts highlight the multifaceted nature of Buddhist symbolism, ranging from elemental principles to representations of spiritual realms and the human experience. If you have any specific questions about these concepts or would like to explore a particular aspect further, feel free to ask!

Number's Importance in Chinese and Japanese Buddhism (2024)
Top Articles
Latest Posts
Article information

Author: Dean Jakubowski Ret

Last Updated:

Views: 5900

Rating: 5 / 5 (70 voted)

Reviews: 85% of readers found this page helpful

Author information

Name: Dean Jakubowski Ret

Birthday: 1996-05-10

Address: Apt. 425 4346 Santiago Islands, Shariside, AK 38830-1874

Phone: +96313309894162

Job: Legacy Sales Designer

Hobby: Baseball, Wood carving, Candle making, Jigsaw puzzles, Lacemaking, Parkour, Drawing

Introduction: My name is Dean Jakubowski Ret, I am a enthusiastic, friendly, homely, handsome, zealous, brainy, elegant person who loves writing and wants to share my knowledge and understanding with you.