Is 200 mm enough safari?
MM: “Every safari photographer should have a telephoto zoom lens, such as 100-400mm or 200-500mm. These focal lengths are critical to capture the action that occurs within a certain range from the vehicles. There are times the wildlife is further away, but the majority of the action is within 200-400mm away.”
And the 70-200mm lens is also a fantastic choice for landscape photography. While most photographers tend to equate landscape shots with ultra-wide angle lenses, you can use a 70-200mm lens to zoom in and capture gorgeous shots of distant subjects (e.g., mountains), as well as details within the larger scene.
It's hard to get close to most wild subjects, so wildlife photographers generally use long lenses: at least 300mm for an APS-C DSLR, or 400mm for a full-frame DSLR or 35mm SLR. If you can get fairly close to larger animals, a 70-200mm zoom can work.
I started wildlife photography with a 70–300 and quickly upgraded to a 150–600 because 300mm was far too short for my needs. Nikon 70–200mm is my lens of choice for the snap shot of a bird in flight. It is a good lens as long as the wildlife is relatively close.
If you want a good picture of the moon, you need at least a 200mm lens – and even then, it's best to use a crop-sensor camera for a bit more reach. So a focal length of 300mm or greater is recommended, and photographing the moon is one time when megapixels really do matter.
The compact zoom lens offers powerful zoom performance of 55-200mm (providing a picture angle equivalent to an 82-300mm lens in 35mm format) and is suitable for every type of photography from candid portraits to sports, nature and wildlife photography.
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Understanding Zoom Lenses.
On a full-frame camera, at focal length 200mm, the diagonal angle-of-view is about 12 degrees. At 300mm, it is about 8 degrees. In other words, at 300mm, the image captures a narrower part of the scene compared to at 200mm.
Most telephoto lenses range from “medium” (with a focal length between 70 and 200mm) all the way up to “super telephoto” (with focal lengths longer than 300mm).
Wide angle and ultra-wide angle lenses are the most popular lenses for landscape photography. Their focal lengths usually range from 14-35mm, though some can be as wide as 10 or 12mm.
Do I need 85mm If I have 70 200?
Even if you already have the 70-200mm zoom lens, the 85mm 1.8 is still worth owning because it is still going to give you more bokeh, it is sharp enough to shoot wide open, and it is roughly 1.5 stops or so brighter than the 70-200mm f/2.8.
A 70-200mm lens is a versatile optic with uses for wildlife, wedding, sports, landscape and even portrait photographers. The option of having short, medium and long telephoto focal lengths in one lens with a fast constant aperture gives photographers so many creative options.
A lens like an 85mm f/1.4 can often render fantastic images, and you get the ultra-narrow depth of field capabilities that are so popular nowadays, but on the other hand, a 70-200mm lens offers a much greater level of versatility that can also transfer to other genres should you choose to try them.
If you are a beginner, a 200mm lens will work just fine for bird photography, especially if you're using a 1.6X crop-sensor DSLR. A camera lens with a 200mm focal length can provide an impressive photo of your subject, but they will have to be pretty close.
Photographing the Moon: the basics
You can take good images of the Moon with just a single lens reflex (SLR) camera and a 250 mm telephoto lens. To get the best detail, you need a telephoto lens of at least 500 to 600 mm and ideally a long focal length telescope.
Short focal length (5-10mm) eyepieces provide high power magnifications and are best for observing the planets and the moon on medium focal length telescopes.
Depending on the sport, a 70-200mm lens may be sufficient. But for sports that position photographers far from the action (such as football, soccer and baseball) you're likely to prefer the results you get from a much longer lens—like a 300mm, 400mm or even 600mm.
On a full-frame digital or 35mm film camera, 1x magnification is achieved by using a 50mm lens. Therefore, a 100mm lens is 2x, 200mm lens is 4x, etc. To get the optics magnification factor, simply divide the focal length of the lens by 50.
Best Focal Length on a Lens for Sports Photography
A large focal length and zoom range give more shooting options. Versatile sports photographers often use something close to 70-200mm lenses. Professional sports photographers may opt for prime lenses with longer focal lengths and fixed apertures.
I do not advise using a 70-200 for street photography. Pointing a camera at people is an intrinsically intrusive move, but a 70-200 makes people suspect you are trying to be sneaky. Use your 24-105 or a 24-70 so you can engage the subject on a personal level.
When using a 200mm lens your shutter speed should be?
As a rule of thumb, you should use a minimum shutter speed of 1/focal length. So for a 200mm lens, use a shutter speed of at least 1/200th.
The specific lens I'm focusing on here is the Nikon AF Micro-NIKKOR 200mm f/4D IF-ED Lens. It's a prime macro lens.
Most of the wildlife photographers I know use a long focal lens, like a 600mm f/4 if they can afford it. If not then 150–600 mm Zooms are popular. My personal choice is either the 300mm f/2.8 or the 400mm f/2.8 on the hip and a 600mm f/4 on the tripod.
Designed to satisfy the discriminating needs of sports and wildlife photographers, the EF 200-400mm f/4L IS USM Extender 1.4X is a high-performance super telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility.
The main difference between telephoto lenses and zoom lenses is that a telephoto lens has a longer focal length while a zoom lens can change focal lengths but start and end at any focal length.
If I had to pick one lens to use most of the time, I would go with the 18-200. At 18mm, the lens handles interior spaces and landscapes while at 200mm it zooms up to 4x my eye's ability to see. When you think about it, that's a pretty large range of views.
A 200-300mm lens might be enough for you. On the other hand, if you usually shoot small subjects, like birds or other animals, in environments where they tend to run away as soon as they see you, well, even a 600mm may not be enough.
However, we consider a 400mm lens to be the ideal focal length in terms of overall capability. It is compact and lightweight enough to use handheld but has enough “reach” to capture a variety of wild birds in detail. A 400mm lens is about as long as you can get without the need for a tripod or monopod.
I've heard some people say that these lenses seem to “specialized” because they can only zoom in, which is ideal for nature and wildlife photographers. They're right, the 100-400 lens is great for wildlife, but it's also incredibly versatile for a walk-around lens that can get you some unique shots.
What MM is wildlife?
When choosing lenses for wildlife photography, lenses from 300 mm and above tend to be recommended, although it is possible to get close enough to certain animals or use certain techniques to work with shorter focal lengths. Unfortunately, the longer the focal length, the more expensive, heavy and large is the lens.
In low light conditions, you simply set the widest aperture on your lens – something like f/2.8, f/4, or f/5.6 on most wildlife photography lenses – and pay careful attention to where your camera is floating the shutter speed.
In order to capture images of birds, you'll want to purchase a lens 300mm or higher. The higher focal length will give you even better glimpses of the birds you are trying to capture in a frame. For most birdwatchers, they understand focal length in terms of image magnification.
85mm. The 85mm lens is considered the best fixed focal length lens for portraits. The narrow angle of view helps isolate the subject better and allows you to shoot from a comfortable working distance. Portraits taken at 85mm look the most natural because facial features don't get distorted.
If you love shooting animals with blurred background or you want to focus on a subject through bokeh, then a full frame camera is the better choice. However, using a crop sensor camera to shoot wildlife will still give excellent subject separation even at a higher f-stop depending on the lens focal length.
You need a good telephoto zoom lens with a reach of at least 200mm to photograph safari animals. There will be moments you wish you had a 500mm with you, but in my view, it's just not worth the price and the weight to carry a lens like that if you are not a professional photographer.
For safari, it's best to stick to 8x or 10x magnification. Objective lens diameter: This number indicates the size of the binoculars' front lenses, measured in millimeters. (It's the second number in the product name when you see something like 8x42).
As good as the 70–200mm L-series zoom lenses are, you'll find that for outdoor sports on larger fields, like soccer, football, or baseball, that a 200mm lens simply doesn't have enough telephoto power for effective, tight shots when you can't get close to the athletes.
The app itself is using about 1GB, but each tab, each window also uses RAM. You can see this in Activity Monitor (located in /Applications/Utilities), by selecting the Memory tab.
| Camera | Details |
|---|---|
| Canon EOS M50 II | • Compact Mirrorless • 24 MP • APS-C Sensor |
| Nikon Z5 | • Full Frame • 24 MP • Mirrorless |
| DC-FZ1000 II | • Bridge Camera • 20.1 MP • 1″ CMOS Sensor |
| Canon 1dx MkIII | • DSLR Full Frame • 20.1 MP & 20 FPS •RAW 5.5K (60) Video •Best In Class Camera |
What camera should I take on safari?
A telephoto lens
If you only take one lens on safari, make it a telephoto one. If you're shooting on a full frame camera, you'll want 200mm as a bare minimum. If you're going on a jungle safari, you can double that to 400mm. If you're shooting on a crop sensor camera, you can get away with a little less lens.
One of the more popular options for safari is a bridge camera, also sometimes known as a superzoom camera. Bridge cameras are larger than compact cameras and they tend to have big zoom lenses that can capture far away subjects. Like with compact cameras, you can't change the lens like on mirrorless or DSLR.
8x32 is a popular size. Binoculars for stargazing: Here's where you want to maximize magnification as well as the light gathering ability of full-size binoculars. 10x42 or 10x50 are options to consider; if you go with higher magnification, you'll need a tripod to hold the binoculars steady.
Generally, binoculars with a magnification of 6 to 10x are easier to use, but for birdwatching, tracking moving objects, and keeping shaking to a minimum, 8 to 10x magnification is best. For theatergoing, a somewhat lower magnification is easier to use, and portability is an important factor.
As a rule of thumb, get stargazing binoculars with an aperture of 35 mm to 60 mm aperture and a magnification of 7x to 10x. A pair of 7×35's is about the minimum acceptable for astronomical observing; 7×50's are better… this will give you the same magnification but a wider field of view.
In wildlife photography, the 400mm is the king at teaching this concept. You will have to zoom with your feet to get the image size you desire often shooting with the 400mm. Watching your subject to learn what to do and not do in approaching a critter is a vital lesson that you will learn with this lens!
Re: Is 300mm (on Apsc) good for wildlife photography? Without getting into details, 300mm is a good start. Better to add a 1.4x, or go to a 400mm.
Safari will most likely use the least amount of RAM on macOS due to the deep integration between the OS and the browser. However, that's not to say it's necessarily the best option to browse the web with on your Mac. I'm a heavy web browser user and I work on a 16-in MacBook Pro.
Clear out the Safari cache and close tabs
If you use Safari often, your iPhone may be storing web history and data that you simply do not need. To clear Safari's browser cache, go to Settings > Safari and Clear History and Website Data.
| Browser | Percentage of Global Desktop Browser Market Share |
|---|---|
| Safari | 8.87% |
| Mozilla Firefox | 7.69% |
| Microsoft Edge | 5.83% |
| Internet Explorer | 2.15% |
