The dance world is brimming with superstitions. One of the most common is never to say “good luck” before a show, since everyone knows uttering the phrase is, in fact, very bad luck. Actors say “break a leg” instead. But since that phrase isn’t exactly dance-friendly, you and your dance friends probably tell each other “merde” before taking the stage.
According to the Oxford English Dictionary
, “merde” is a French exclamation that loosely translates to, er, “poop.” So how did dancers end up saying “merde” to each other instead of “good luck”?
To learn more, we spoke to Raymond Lukens, associate emeritus of the American Ballet Theatre National Training Curriculum, and Kelli Rhodes-Stevens, professor of dance at Oklahoma City University. Read on—and the next time you exchange “merdes” with your castmates before a show, you’ll know why.
The Origins of “Merde”
The history of “merde” begins in 19th-century Paris, when patrons of the Paris Opéra Ballet would arrive at the Palais Garnier in horse-drawn carriages. If there was a full house, there was sure to be a lot of horse manure in front of the theater. Saying “merde” became a way to tell your fellow dancers to have a good show for the packed audience. According to Rhodes-Stevens, “When dancers say ‘merde’ to one another, they are wishing each other a full and approving audience.”
The Palais Garnier, home of the Paris Opéra Ballet, where horse-drawn carriages brought patrons in the 1800s
The practice eventually spread worldwide. Today, the pervasive nature of “merde” is undeniable. Lukens, who performed internationally throughout his ballet career, remembered using “merde” in the U.S., France, and Belgium. (By the way, Lukens says the proper response to “merde” is “oui”—never “thank you,” which reverses all the good luck.)
“Toi Toi Toi,” “In Bocca al Lupo,” and “Chookas”
In Germany, however, Lukens remembers that “toi toi toi” was customary, while in Italy, they said “in bocca al lupo.””Toi toi toi” is a phrase of German and Yiddish origin, meant to emulate spitting in order to ward off evil spirits. Opera singers adopted this tradition before shows, and it eventually bled into ballet culture. “It is like spitting, usually behind the ear of the colleague to whom you are giving good wishes,” says Lukens.
The Italian phrase “in bocca al lupo’ means “in the wolf’s mouth,” and the recipient is supposed to answer “crepi il lupo,” which means, “may the wolf die.” Originating in Italian theater and opera, this is another example, like “merde” and “break a leg,” of wishing an unpleasant situation upon a performer so as to not jinx a good show.
In Australia, performers tell each other “chookas.” The word’s origin is hazy, but it’s probably a variant on “chook,” or chicken. Chicken used to be considered an expensive meal, and the idea was to wish for a good show so that the artists would be paid (and then eat) well.
The Future of Merde
These days, a lot of the dance world exists in outside of ballet and opera, and these scenes have developed their own superstitious sayings. Tappers sometimes say “leave it on the floor” or “lay it on the floor.” Commercial and competition dancers might go for “get it,” “werk,” or simply “don’t suck.” Are these sayings the future of “merde”?
Maybe. One thing’s for sure: Dancer superstitions aren’t going away anytime soon. “I believe being superstitious is part of human nature to justify what cannot be explained,” Lukens says. Plus, superstitions can actually give performers a confidence boost. “The ritualization of these phrases and other accompanying superstitious activities provides the opportunity for performers to give themselves a sense of control over both the unpredictability of live theater and the inability to regulate the reaction of the live audience,” says Rhodes-Stevens.
The ABT Studio Company doing a pre-show ritual backstage (Kyle Froman)
So, whether you say “merde” or “chookas” before a big show, these rituals bring us together as dancers. When we use these phrases, we’re not only connecting with our current group, but also continuing the legacy of the generations of dancers who came before us. And that means a lot more than just a French word for poop.
As an avid enthusiast with a profound understanding of dance traditions, rituals, and superstitions, I can draw upon my extensive knowledge to shed light on the fascinating world of pre-show expressions and their historical roots.
The article delves into the superstitions prevalent in the dance world, particularly the tradition of saying "merde" before a show. To authenticate this insight, the article interviews Raymond Lukens, an associate emeritus of the American Ballet Theatre National Training Curriculum, and Kelli Rhodes-Stevens, a professor of dance at Oklahoma City University. These experts provide valuable perspectives on the origins and significance of saying "merde" in the dance community.
Now, let's break down the key concepts discussed in the article:
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Superstitions in the Dance World:
- The dance world is known for its superstitions, one of the most common being the avoidance of saying "good luck" before a show.
- Instead, dancers often use alternative expressions such as "break a leg" or, in the case of dancers, "merde."
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Meaning of "Merde":
- According to the Oxford English Dictionary, "merde" is a French exclamation that loosely translates to "poop."
- The usage of "merde" among dancers is explained as a way of wishing each other a full and approving audience.
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Historical Origins:
- The history of "merde" dates back to 19th-century Paris, where patrons arriving at the Paris Opéra Ballet in horse-drawn carriages led to a lot of horse manure in front of the theater.
- Saying "merde" became a way of wishing fellow dancers a good show for a packed audience.
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Global Spread:
- The practice of saying "merde" eventually spread worldwide, becoming a pervasive tradition among dancers.
- Raymond Lukens recalls using "merde" in the U.S., France, and Belgium during his international ballet career.
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Alternative Expressions in Different Countries:
- In Germany, the customary phrase is "toi toi toi," which originated from German and Yiddish traditions meant to ward off evil spirits.
- In Italy, performers use "in bocca al lupo," wishing each other luck in a manner that involves a response like "may the wolf die."
- Australian performers use the expression "chookas," possibly derived from "chook," or chicken, symbolizing a wish for a good show and prosperity.
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Evolution of Superstitious Sayings:
- Outside the ballet and opera scenes, other dance genres have developed their own superstitious sayings, such as "leave it on the floor," "werk," or "don't suck."
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Future of Dance Superstitions:
- Superstitions in the dance world are likely to persist, with dancers creating new sayings and rituals.
- Superstitions provide performers with a sense of control over the unpredictability of live theater and audience reactions.
In conclusion, the article explores the rich tapestry of dance superstitions, emphasizing their cultural and historical significance. From the origins of "merde" in 19th-century Paris to the global spread of similar expressions, dancers continue to embrace these rituals as a way of connecting with their peers and honoring the legacy of past generations.
