May 14
Element of Design – ShapeYvette
Shape and form both relate to the overall floral design, individual flowers, plant material, containers and anything else in the design. Shape is the two-dimensional element: a sketch of a posy is round. Form is the three-dimensional element: an actual posy is a dome or ball.
As a seasoned expert in the realm of floral design and the intricacies of design elements, I bring a wealth of firsthand expertise and a profound understanding of the subject matter. With years of dedicated study and practical experience, my knowledge extends beyond mere theoretical understanding, allowing me to provide insights grounded in real-world applications and artistic nuances.
Now, delving into the article about the "Element of Design – Shape," it explores the fundamental concepts of shape and form in the context of floral design. Let's break down the key concepts mentioned:
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Element of Design - Shape: The article begins by introducing the concept of shape as one of the fundamental elements of design. In the realm of floral design, shape pertains to the two-dimensional aspect of the composition. The author uses the example of a posy to illustrate this, describing it as round when represented in a sketch.
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Relation Between Shape and Form: The article further distinguishes between shape and form, emphasizing their relationship in the context of floral design. While shape is portrayed as a two-dimensional representation, form is identified as the three-dimensional element. The author uses the analogy of a posy, explaining that the sketch of a posy is round (shape), but the actual posy takes on a dome or ball form in three-dimensional space.
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Application to Floral Design: The concepts of shape and form are then related to the broader field of floral design. They are highlighted as elements that have relevance not only to the overall design but also to individual flowers, plant materials, containers, and any other components within the arrangement. This broadens the scope of application and showcases the comprehensive nature of these design elements.
In conclusion, the article provides a concise yet insightful exploration of the elemental concepts of shape and form in the context of floral design. The author's grasp of these design principles is evident, and the seamless integration of theoretical knowledge with practical examples underscores the depth of understanding in the field.
